To infuse depth and luminosity into his work, Jordan employs a palette of punchy hues. Experimenting, he discovered that when inks layer heavily onto Mylar, it creates a rich, almost melted effect. Pigments become slightly volatile, even mercurial, and their behavior enlivens the entire process. Jordan likes to explore how different amalgams of color work together, because it sure trumps sitting back and watching paint dry.

Clients Include:
New York Magazine / UCLA Magazine / Business Week / Adidas / Scientific American / Inside Counsel  Doubleday & Cartwright / Dallas Observor / Time-Out Chicago / Atlanta Magazine / VICE / Eye Weekly  MBA Jungle / Virgin Atlantic / Westchester Magazine / The Scientist / New York Press / Toronto Life Magazine / Portland Mercury / Las Vegas City Life / Seattle Weekly / Orange Coast / Chicago Magazine / Voice Design / HOW Magazine / Playstation / Hewlett Packard 

For commission inquiries:

Storyboarding portfolio at domont-storyboards.com